41
TITLE: The liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy's Mediterranean crossings  Full Text
AUTHORS: Mendes, AC ;
PUBLISHED: 2019, SOURCE: CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES, VOLUME: 33, ISSUE: 5
INDEXED IN: Scopus WOS CrossRef: 3 Handle
45
TITLE: Chapter 9. Transculturating Shakespeare. Vishal Bhardwaj’s Mumbai Macbeth
AUTHORS: Ana Cristina Mendes ;
PUBLISHED: 2018, SOURCE: FILLM Studies in Languages and Literatures - Where is Adaptation?
INDEXED IN: CrossRef: 1
46
TITLE: Cumplicidades reorientalistas, reconfigurações identitárias: Salman Rushdie no mercado cultural global
AUTHORS: Ana C Mendes ;
PUBLISHED: 2018, SOURCE: Identidades em Trânsito
INDEXED IN: Handle
47
TITLE: David Bowie: Critical Perspectives  Full Text
AUTHORS: Ana Cristina Mendes ;
PUBLISHED: 2018, SOURCE: CINEMA JOURNAL, VOLUME: 57, ISSUE: 3
INDEXED IN: WOS
48
TITLE: David Bowie: Critical Perspectives ed. by Eoin Devereux, Aileen Dillane, and Martin J. Power
AUTHORS: Ana Cristina Mendes ;
PUBLISHED: 2018, SOURCE: Cinema Journal, VOLUME: 57, ISSUE: 3
INDEXED IN: CrossRef
49
TITLE: Hospitality and Re-Orientalist Thresholds: Amit Chaudhuri Writes Back to India  Full Text
AUTHORS: Lau, L; Mendes, AC ;
PUBLISHED: 2018, SOURCE: SOUTH ASIA-JOURNAL OF SOUTH ASIAN STUDIES, VOLUME: 41, ISSUE: 4
INDEXED IN: Scopus WOS CrossRef: 1 Handle
50
TITLE: Indie crowdfunded narratives of commercial surrogacy, or the contested bodies of neoliberalism: Onir’s “I Am Afia” and Arpita Kumar’s Sita
AUTHORS: Ana C Mendes ;
PUBLISHED: 2018, SOURCE: Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution
INDEXED IN: Handle
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