Carlos Alberto Barbosa da Cunha Mendonça Guedes
AuthID: R-000-NEB
11
TITLE: Exploring music collections: An interactive, dimensionality reduction approach to visualizing songbanks
AUTHORS: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: International Conference on Intelligent User Interfaces, Proceedings IUI
AUTHORS: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: International Conference on Intelligent User Interfaces, Proceedings IUI
INDEXED IN: 
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ORCID12
TITLE: Developinimmersive VR experience for visualizing cross-cultural relationships in music
AUTHORS: Kaustuv Kanti Ganguli; Oscar Gomez; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: Proceedings - 2020 IEEE Conference on Virtual Reality and 3D User Interfaces, VRW 2020
AUTHORS: Kaustuv Kanti Ganguli; Oscar Gomez; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: Proceedings - 2020 IEEE Conference on Virtual Reality and 3D User Interfaces, VRW 2020
13
TITLE: Exploring Music Collections. An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks
AUTHORS: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: Companion Proceedings of the 25th International Conference on Intelligent User Interfaces
AUTHORS: Oscar Gomez; Kaustuv Kanti Ganguli; Leonid Kuzmenko; Carlos Guedes;
PUBLISHED: 2020, SOURCE: Companion Proceedings of the 25th International Conference on Intelligent User Interfaces
14
TITLE: Camel: Carnatic percussion music generation using n-gram models
AUTHORS: Konstantinos Trochidis; Carlos Guedes; Akshay Anantapadmanabhan; Andrija Klaric;
PUBLISHED: 2019, SOURCE: SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
AUTHORS: Konstantinos Trochidis; Carlos Guedes; Akshay Anantapadmanabhan; Andrija Klaric;
PUBLISHED: 2019, SOURCE: SMC 2016 - 13th Sound and Music Computing Conference, Proceedings
INDEXED IN: Scopus
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ORCID15
TITLE: Modeling carnatic rhythm generation: A data driven approach based on rhythmic analysis
AUTHORS: Carlos Guedes; Konstantinos Trochidis; Akshay Anantapadmanabhan;
PUBLISHED: 2018, SOURCE: Proceedings of the 15th Sound and Music Computing Conference: Sonic Crossings, SMC 2018
AUTHORS: Carlos Guedes; Konstantinos Trochidis; Akshay Anantapadmanabhan;
PUBLISHED: 2018, SOURCE: Proceedings of the 15th Sound and Music Computing Conference: Sonic Crossings, SMC 2018
INDEXED IN: Scopus
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ORCID16
TITLE: Composing and Improvising. In Real Time
AUTHORS: Carlos Guedes;
PUBLISHED: 2018, SOURCE: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), VOLUME: 11265 LNCS
AUTHORS: Carlos Guedes;
PUBLISHED: 2018, SOURCE: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), VOLUME: 11265 LNCS
17
TITLE: Real-time composition, why it still matters: A look at recent developments and potentially new and interesting applications
AUTHORS: Carlos Guedes;
PUBLISHED: 2017, SOURCE: 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week
AUTHORS: Carlos Guedes;
PUBLISHED: 2017, SOURCE: 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week
INDEXED IN: Scopus
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ORCID18
TITLE: Five Perspectives on Musical Rhythm
AUTHORS: Juan P Bello; Robert Rowe; Carlos Guedes; Godfried Toussaint;
PUBLISHED: 2015, SOURCE: Journal of New Music Research, VOLUME: 44, ISSUE: 1
AUTHORS: Juan P Bello; Robert Rowe; Carlos Guedes; Godfried Toussaint;
PUBLISHED: 2015, SOURCE: Journal of New Music Research, VOLUME: 44, ISSUE: 1
19
TITLE: A computer-mediated interface for jazz piano comping
AUTHORS: Dias, R; Guedes, C; Marques, T;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
AUTHORS: Dias, R; Guedes, C; Marques, T;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXED IN: Scopus
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ORCID20
TITLE: Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition
AUTHORS: Bernardes, G ; Davies, MEP ; Guedes, C; Pennycook, B;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
AUTHORS: Bernardes, G ; Davies, MEP ; Guedes, C; Pennycook, B;
PUBLISHED: 2014, SOURCE: 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos in Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
INDEXED IN: Scopus 
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