João Pedro Carvalho de Alvarenga
AuthID: R-000-7D5
1
TITLE: Fragmenta Musicae. Contemporary Perspectives
AUTHORS: João Pedro d'Alvarenga; Manuel Pedro Ferreira; Alberto Medina de Seiça;
PUBLISHED: 2025, SOURCE: Epitome musical
AUTHORS: João Pedro d'Alvarenga; Manuel Pedro Ferreira; Alberto Medina de Seiça;
PUBLISHED: 2025, SOURCE: Epitome musical
2
TITLE: Introduction
AUTHORS: João Pedro d'Alvarenga; Manuel Pedro Ferreira; Alberto Medina de Seiça;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
AUTHORS: João Pedro d'Alvarenga; Manuel Pedro Ferreira; Alberto Medina de Seiça;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
3
TITLE: Fragmentary Motets in Coimbra Sources from the 1570s
AUTHORS: João Pedro d’Alvarenga;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
AUTHORS: João Pedro d’Alvarenga;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
4
TITLE: The Pentecost Responsory
Erant omnes apostoli
, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It
AUTHORS: João Pedro d’Alvarenga;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
AUTHORS: João Pedro d’Alvarenga;
PUBLISHED: 2025, SOURCE: Epitome musical - Fragmenta Musicae
5
TITLE: Entrevista com João Pedro d'Alvarenga
AUTHORS: João Pedro d'Alvarenga;
PUBLISHED: 2024, SOURCE: Estrema: revista interdisciplinar de humanidades, VOLUME: 3, ISSUE: 2
AUTHORS: João Pedro d'Alvarenga;
PUBLISHED: 2024, SOURCE: Estrema: revista interdisciplinar de humanidades, VOLUME: 3, ISSUE: 2
6
TITLE: Juan de anchieta and the iberian motet around 1500
AUTHORS: D'alvarenga, JP;
PUBLISHED: 2019, SOURCE: Acta Musicologica, VOLUME: 91, ISSUE: 1
AUTHORS: D'alvarenga, JP;
PUBLISHED: 2019, SOURCE: Acta Musicologica, VOLUME: 91, ISSUE: 1
INDEXED IN: 
Scopus
Scopus IN MY: 
ORCID
ORCID7
TITLE: Portugal
AUTHORS: d’Alvarenga, JP;
PUBLISHED: 2019, SOURCE: The Cambridge Companion to the Harpsichord
AUTHORS: d’Alvarenga, JP;
PUBLISHED: 2019, SOURCE: The Cambridge Companion to the Harpsichord
8
TITLE: Domenico scarlatti in Portugal and Spain
AUTHORS: d’Alvarenga, JP; Pedrero Encabo, Á;
PUBLISHED: 2019, SOURCE: The Cambridge Companion to the Harpsichord
AUTHORS: d’Alvarenga, JP; Pedrero Encabo, Á;
PUBLISHED: 2019, SOURCE: The Cambridge Companion to the Harpsichord
9
TITLE: Two polyphonic settings of the mass for the dead from late sixteenth-century Portugal: Bridging pre- And post- tridentine traditions
AUTHORS: João Pedro D'Alvarenga;
PUBLISHED: 2016, SOURCE: Acta Musicologica, VOLUME: 88, ISSUE: 1
AUTHORS: João Pedro D'Alvarenga;
PUBLISHED: 2016, SOURCE: Acta Musicologica, VOLUME: 88, ISSUE: 1
INDEXED IN: Scopus
Scopus IN MY: ORCID
ORCID10
TITLE: On performing practices in mid-to late 16th-century Portuguese church music: the cappella of Evora Cathedral
AUTHORS: d'Alvarenga, JP;
PUBLISHED: 2015, SOURCE: EARLY MUSIC, VOLUME: 43, ISSUE: 1
AUTHORS: d'Alvarenga, JP;
PUBLISHED: 2015, SOURCE: EARLY MUSIC, VOLUME: 43, ISSUE: 1
