11
TITLE: On performing practices in mid-to late 16th-century Portuguese church music: The cappella of Évora Cathedral
AUTHORS: D'Alvarenga, JP;
PUBLISHED: 2015, SOURCE: Early Music, VOLUME: 43, ISSUE: 1
INDEXED IN: Scopus
IN MY: ORCID
12
TITLE: FERNANDO DE ALMEIDA (d. 1660): TRADITION AND INNOVATION IN MID-SEVENTEENTH-CENTURY PORTUGUESE SACRED MUSIC
AUTHORS: Vaz, J; d'Alvarenga, JP;
PUBLISHED: 2015, SOURCE: ANUARIO MUSICAL, VOLUME: 70, ISSUE: 70
INDEXED IN: Scopus WOS CrossRef
IN MY: ORCID
14
TITLE: ‘To Make of Lisbon a New Rome’: The Repertory of the Patriarchal Church in the 1720s and 1730s – CORRIGENDUM
AUTHORS: JOÃO PEDRO D'ALVARENGA;
PUBLISHED: 2012, SOURCE: Eighteenth Century Music, VOLUME: 9, ISSUE: 2
INDEXED IN: CrossRef
IN MY: ORCID
15
TITLE: ‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S
AUTHORS: JOÃO PEDRO D'ALVARENGA;
PUBLISHED: 2011, SOURCE: Eighteenth Century Music, VOLUME: 8, ISSUE: 02
INDEXED IN: CrossRef
IN MY: ORCID
16
TITLE: The Liber Introitus of Miguel da Fonseca, and a Possible Improvisatory Model
AUTHORS: João Pedro d’Alvarenga; Manuel Pedro Ferreira;
PUBLISHED: 2011, SOURCE: Epitome musical - Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and the Renaissance
INDEXED IN: CrossRef
IN MY: ORCID
18
TITLE: Some Notes on the Reception of Josquin and of Northern Idioms in Portuguese Music and Culture
AUTHORS: João Pedro d’Alvarenga;
PUBLISHED: 2010, SOURCE: Journal of the Alamire Foundation, VOLUME: 2, ISSUE: 1
INDEXED IN: CrossRef: 1
IN MY: ORCID
Page 2 of 2. Total results: 18.