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António João Carvalho Cruz
AuthID:
R-000-22F
Publications
Confirmed
To Validate
Document Source:
All
Document Type:
All Document Types
Article (48)
Editorial Material (5)
Article in Press (4)
Review (3)
Proceedings Paper (2)
Book Chapter (1)
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Order:
Year Dsc
Year Asc
Cit. WOS Dsc
IF WOS Dsc
Cit. Scopus Dsc
IF Scopus Dsc
Title Asc
Title Dsc
Results:
10
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Confirmed Publications: 63
1
TITLE:
Annunciation or Adoration? The workshop practice and the hesitations of a Portuguese mannerist painter revealed by infrared reflectography
Full Text
AUTHORS:
Melo, HelenaP;
Cruz, Antonio Joao
; Valadas, Sara;
Candeias, Antonio
;
PUBLISHED:
2023
,
SOURCE:
ARCHAEOLOGICAL AND ANTHROPOLOGICAL SCIENCES,
VOLUME:
15,
ISSUE:
4
INDEXED IN:
Scopus
WOS
CrossRef
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
2
TITLE:
Paint, Colour, and Style: The Contribution of Minerals to the Palette of the Descent from the Cross, Attributed to the Portuguese Painter Francisco João (act. 1558-1595)
Full Text
AUTHORS:
Melo, Helena P.;
Cruz, Antonio Joao
; Sanyova, Jana; Valadas, Sara; Cardoso, Ana Margarida;
PUBLISHED:
2023
,
SOURCE:
MINERALS,
VOLUME:
13,
ISSUE:
9
INDEXED IN:
Scopus
WOS
CrossRef
:
1
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
3
TITLE:
Biblioteca Digital Ciarte: literatura histórica técnico-artística em português
AUTHORS:
António João Cruz
;
PUBLISHED:
2022
,
SOURCE:
ARTis ON,
ISSUE:
13
INDEXED IN:
CrossRef
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
4
TITLE:
Charcoal or black stone? Reconstructions as a tool to study the behaviour of dry underdrawing materials within the paint structure of sixteenth century panel paintings
AUTHORS:
Melo, HP; Valadas, S;
Cruz, AJ
;
Candeias, A
;
PUBLISHED:
2022
,
SOURCE:
HERITAGE SCIENCE,
VOLUME:
10,
ISSUE:
1
INDEXED IN:
Scopus
WOS
CrossRef
:
1
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
5
TITLE:
Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century
Full Text
AUTHORS:
Pinheiro de Melo, Helena;
Cruz, Antonio Joao
; Sanyova, Jana; Valadas, Sara; Cardoso, Ana Margarida;
Candeias, Antonio
;
PUBLISHED:
2022
,
SOURCE:
COLOR RESEARCH AND APPLICATION,
VOLUME:
47,
ISSUE:
6
INDEXED IN:
Scopus
WOS
CrossRef
:
3
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
6
TITLE:
Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments
AUTHORS:
Melo, Helena P.; Valadas, Sara;
Cruz, Antonio Joao
; Cardoso, Ana Margarida;
Miguel, Catarina
; Manhita, Ana; Helvaci, Yigit Zafer; Dias, Cristina Barrocas;
Candeias, Antonio
;
PUBLISHED:
2022
,
SOURCE:
STUDIES IN CONSERVATION,
VOLUME:
68,
ISSUE:
7
INDEXED IN:
Scopus
WOS
CrossRef
:
2
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
7
TITLE:
Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?
AUTHORS:
Melo, Helena P.;
Cruz, Antonio Joao
; Valadas, Sara; Cardoso, Ana Margarida; Helvaci, Yigit Zafer;
Candeias, Antonio
;
PUBLISHED:
2022
,
SOURCE:
STUDIES IN CONSERVATION,
VOLUME:
68,
ISSUE:
7
INDEXED IN:
Scopus
WOS
CrossRef
:
2
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
8
TITLE:
The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting
AUTHORS:
Cruz, Antonio Joao
; Melo, Helena P.; Valadas, Sara;
Miguel, Catarina
;
Candeias, Antonio
;
PUBLISHED:
2022
,
SOURCE:
HERITAGE,
VOLUME:
5,
ISSUE:
3
INDEXED IN:
Scopus
WOS
CrossRef
:
2
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
9
TITLE:
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche
AUTHORS:
Ferreira, E;
Cruz, AJ
; Rego, C;
PUBLISHED:
2021
,
SOURCE:
CONSERVAR PATRIMONIO,
VOLUME:
38,
ISSUE:
38
INDEXED IN:
WOS
CrossRef
Handle
IN MY:
ORCID
|
CIÊNCIAVITAE
10
TITLE:
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche
AUTHORS:
Elisabete Ferreira;
António João Cruz
; Carla Rego;
PUBLISHED:
2021
,
SOURCE:
Conservar Património
INDEXED IN:
CrossRef
IN MY:
ORCID
|
CIÊNCIAVITAE
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