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TITLE: Cem anos da arte do piano: os pianistas na sociedade de concertos Orpheon Portuense (1886-2008)
AUTHORS: Sofia Lourenço da Fonseca ;
PUBLISHED: 2014, SOURCE: A sociedade Orpheon Portuense (1881-2008): tradição e inovação
INDEXED IN: Handle
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TITLE: Subjective appropriation of musical form in Schumann’s Carnaval, op. 9
AUTHORS: Teresa Palma Pereira; Sofia Lourenço ; Paulo Ferreira-Lopes;
PUBLISHED: 2014, SOURCE: Journal of Science and Technology of the Arts, VOLUME: 6, ISSUE: 2
INDEXED IN: CrossRef
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TITLE: Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools”
AUTHORS: Rui Cruz; Sofia Lourenço ;
PUBLISHED: 2011, SOURCE: Journal of Science and Technology of the Arts, VOLUME: 3, ISSUE: 1
INDEXED IN: CrossRef
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TITLE: The assessment of trapezius muscle symptoms of piano players by the use of infrared thermography
AUTHORS: Sofia Lourenço da Fonseca ; Miguel P Clemente; Daniela Coimbra; Antonio Ramos Silva ; Joaquim Mendes ; João C Pinho;
PUBLISHED: 2011, SOURCE: International Symposium on Performance Science
INDEXED IN: Handle
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TITLE: European Piano Schools : Russian , German and French classical piano interpretation and technique
AUTHORS: Sofia Lourenço ;
PUBLISHED: 2010, SOURCE: Journal of Science and Technology of the Arts, VOLUME: 2, ISSUE: 1
INDEXED IN: CrossRef: 3
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TITLE: Do pianists play with their teeth?
AUTHORS: Sofia Lourenço da Fonseca ; Miguel P Clemente; Daniela Coimbra; Álvaro Barbosa; João C Pinho;
PUBLISHED: 2009, SOURCE: International Symposium on Performance Science
INDEXED IN: Handle