1
TITLE: The Anti-Testament of Ozu Time, Finitude and Repetition in An Autumn Afternoon
AUTHORS: Patrícia Castello Branco;
PUBLISHED: 2025, SOURCE: Arts, VOLUME: 14, ISSUE: 6
INDEXED IN: CrossRef
IN MY: ORCID
3
TITLE: Haptic visuality, sensation and politics in Eisenstein’s film theory
AUTHORS: Branco, PSC;
PUBLISHED: 2022, SOURCE: Studies in Russian and Soviet Cinema, VOLUME: 16, ISSUE: 2
INDEXED IN: Scopus CrossRef: 1
IN MY: ORCID
4
TITLE: Kant and Burke's Sublime in Werner Herzog's Films: The Quest for an Ecstatic Truth
AUTHORS: Branco, Patricia Castello;
PUBLISHED: 2022, SOURCE: FILM-PHILOSOPHY, VOLUME: 26, ISSUE: 2
INDEXED IN: Scopus WOS CrossRef
IN MY: ORCID
5
TITLE: Wine Microbial Consortium: Seasonal Sources and Vectors Linking Vineyard and Winery Environments
AUTHORS: Camilo, Sofia; Chandra, Mahesh ; Branco, Patricia; Malfeito Ferreira, Manuel ;
PUBLISHED: 2022, SOURCE: FERMENTATION-BASEL, VOLUME: 8, ISSUE: 7
INDEXED IN: Scopus WOS CrossRef: 9 Handle
6
TITLE: The awakening of the body: "Film as Sensation" in the first French avant-garde
AUTHORS: Branco, PC;
PUBLISHED: 2020, SOURCE: SENSES & SOCIETY, VOLUME: 15, ISSUE: 2
INDEXED IN: Scopus WOS CrossRef
IN MY: ORCID
7
TITLE: Philosophy of Werner Herzog
AUTHORS: Blake B Wilson; Christopher Turner; Stefanie Baumann; Patrícia Castello Branco; Daniele Dottorini;
PUBLISHED: 2020
INDEXED IN: Openlibrary
8
TITLE: EDITORIAL: (RE)THINKING ISLAMIC IMAGERY
AUTHORS: Patricia Silveirinha C Castello Branco; Saeed Zeydabadi Nejad; Sergio Dias Branco;
PUBLISHED: 2017, SOURCE: CINEMA-JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE, VOLUME: 9
INDEXED IN: WOS
10
TITLE: Pure Sensations? From Abstract Film to Digital Images
AUTHORS: Patricia Castello Branco;
PUBLISHED: 2010, SOURCE: ANIMATION-AN INTERDISCIPLINARY JOURNAL, VOLUME: 5, ISSUE: 1
INDEXED IN: Scopus WOS
IN MY: ORCID
Page 1 of 2. Total results: 12.